Mark Sullivan's Fiddle Tune Subscription

Monthly Fiddle Tune Subscription: 3 New Tunes Every Month

Here's the deal. Simple, focused, and built to make you a better fiddler.

On the 5th, 15th, and 25th of every month, Mark drops a brand new 30 minute video lesson built around a single fiddle tune. Canadian old time, Celtic, Bluegrass, Cape Breton, and beyond. You'll hear the tune played slow, medium, and up to tempo, with Mark walking you through the bowing, ornaments, stylistic touches, and the interpretive choices that make a tune actually come alive.

Designed for advancing beginners and intermediate fiddlers.

Every lesson includes the sheet music and a guitar accompaniment track, so you can practice with a real groove from day one.

The tune is always a surprise. Even when you already know it, you'll walk away with new ornaments, fresh bowing ideas, and a deeper feel for the tradition behind it.

Three lessons a month. Real tunes, real style, all for $20/month. Happy fiddling!
Monthly Fiddle Tune Subscription

Monthly Fiddle Tune Subscription
$20.00
$20.00 $25.00

Reviews

★★★★★

"I picked up the fiddle in my 50s thinking I'd missed my window. Mark proved me wrong in about three lessons. He breaks tunes down into pieces my brain can actually hold onto, and he never makes me feel slow for asking the same question twice. Six months in and I'm playing tunes I love. Couldn't recommend him more."

— Janet R. (Calgary, Alberta)

"I've taken lessons from a few different fiddlers over the years and Mark is in a class of his own as a communicator. He doesn't just play something and say 'do that.' He shows you why a bowing works, where the ornament fits in the phrase, what the tune is asking for. I learn more from one 30-minute lesson with Mark than I did from a year of YouTube videos."

— Dave M. (Haliburton, Ontario)

"My daughter started competing two years ago and Mark has been the difference. He knows the contest tunes inside out, he hears things in her playing that nobody else has caught, and he gives her the kind of feedback that actually translates on stage. Beyond the technique, he's just an incredible player himself, and you can hear it rub off on her every week."

— Susan T. (Yarmouth, Nova Scotia)